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Friday, Sep. 23, 2011

News photo
Meiji Era-Early Showa Period writing box and stand, with a spring and autumn at the River Oi design in maki-e by Zo-o (Nishimura Hikobei VI)

TOKYO

"Splendor of Kyo Maki-e: Zohiko Urushi Art and Mitsui Family"

Mitsui Memorial Museum


By MIKE HAMILTON
Special to The Japan Times

During the Meiji Era (1868-1912), as Japan opened up to the rest of the world the nation's artists began to lose the support of Buddhist temples, Shinto shrines and the daimyo (landed) class.

This was observed by the Mitsui family who, having made a fortune as money lenders and merchants, were then the richest clan in Japan. As the country began to be swamped with Western art, the Mitsui family saw it as their duty to help preserve and support Japanese culture. They invested heavily in Kyoto-based artisans, and in the process acquired a vast collection of works, including a large number of Zochiko maki-e lacquerware works.

This exhibition showcases more than 40 Zochiko pieces as well as 30 other lacquerware works from the Mistui collection.

Mitsui Memorial Museum; (03) 5777-8600; Mitsui Main Bldg. 7F, 2-1-1 Nihonbashi-muromachi, Chuo-ku; 1-min walk from Exit A7 of Mitsukoshimae Station, Ginza, Hanzomon lines. 10 a.m.-5 p.m. ¥1,200. Closed Mon. and Oct. 11; open Oct. 10. www.mitsui-museum.jp.

An untitled work by Eva Berends (2010) COURTESY OF SOMMER & KOHL, Jens Ziehe photo


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